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Showing posts with label #fiction. Show all posts
Showing posts with label #fiction. Show all posts

Thursday, August 13, 2026

Heidenröslein: The Little Rose on the Heath by Christopher Whittaker - Book Tour - Book Blast - Giveaway - Enter Daily!

This post is part of a virtual book tour organized by Goddess Fish Promotions. Christopher Whittaker will be awarding a $10 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

Two men. Two worlds.

One war that will remake them both.

Peter Schiller, a disciplined officer from privilege, is trained to lead—but not for what war truly demands.

Günther Klein, a working-class recruit, is thrown into the trenches and forced to learn fast or die.

In the mud and ruin of the Great War, rank and class begin to dissolve. Orders blur into instinct. Honour bends under necessity. What remains is survival—and the thin, unspoken bond forged between two men who should never have met.

But war does not end when the guns fall silent.

Heidenröslein is a powerful, unflinching story of war, brotherhood, and the quiet, irreversible cost of becoming what the battlefield demands.

EXCERPT TWO:

The von Schiller estate sat upon a gentle rise overlooking the town, separated from the noise and smoke of industry by iron gates, trimmed hedges, and the unspoken certainty that families like theirs did not belong amongst ordinary life.

The house itself was not ancient enough to be called ancestral in the medieval sense, yet age clung to it all the same. Three stories of pale stone and dark timber stood behind carefully shaped gardens, its tall windows reflecting the morning light like polished glass. Ivy crept deliberately across portions of the outer walls, restrained rather than wild, allowed to grow only where it improved the appearance of age and permanence.

Nothing about the home was accidental.

Even the gravel upon the drive had been chosen for the sound it made beneath carriage wheels.

The front doors opened into a grand receiving hall floored in black-and-white marble tiles imported decades earlier from Italy. The ceilings rose high overhead, crossed with dark wooden beams stained almost black with polish and age. Portraits of Von Schillers long dead stared down from the walls in oils darkened by time—military officers, industrialists, stiff-backed women in lace collars and jewels.

Men who had built.

Men who had commanded.

Men who had expected obedience from the world and usually received it.

The air carried faint scents of furniture wax, old paper, polished silver, and the lingering aroma of Ernst von Schiller’s pipe tobacco.

AUTHOR BIO:

Chris lives in Perth, Western Australia with his wife Dianne.

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Monday, June 8, 2026

Moccasin Trace by Hawk MacKinney - Book Tour - Exclusive Excerpt - Giveaway - Enter Daily!




Moccasin Trace
by Hawk MacKinney

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GENRE:   Historical Fiction

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BOOK BLURB:

…it was about the land.

It is July of 1859, a month of sweltering dog days and feverish emotional bombast. Life is good for widower Rundell Ingram and his hazel-eyed, roan-haired son, Hamilton. Between the two of them, they take care of Moccasin Hollow, their sprawling ancestral plantation home in the rolling farming country outside Queensborough Towne in east Georgia. Adjoining Ingram lands is Wisteria Bend, the vast slave-holding plantation of Andrew and Corinthia Greer, their daughter Sarah, and son Benjamin. Both families share generations of long-accepted traditions, and childhood playmates are no longer children. The rangy, even-tempered Norman-Scottish young Hamilton is smitten with Sarah, who has become an enticing capricious beauty—the young lovers more in love with each passing day, and only pleasant times ahead of them.

…but a blood tide of war is sweeping across the South, a tide that will forever change everyone and everything.

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EXCLUSIVE EXCERPT:

Corinthia Greer was an exception to the social pretentiousness that plantation wives never worked. Red satin libertines of Savannah or Memphis bought ready-made, but Queensborough country folk made do. Buxom Corinthia used every trick of the latest fashions to keep her dumpy, hard-to-fit high-waisted figure from being too obvious. She religiously copied styles from pictures she'd seen from Paris and London or Richmond, always to compliment the curves of her ample bosom and hide what she most decidedly did not wish to draw attention to.

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AUTHOR BIO & LINK:


With postgraduate degrees and faculty positions in several medical universities, Hawk MacKinney has taught graduate courses in both the United States and Jerusalem. His professional writing includes articles on chordate neuroembryology, and aerospace research on muscle metabolic behavior in multi-orbital environments.

In addition, Hawk has authored several works of fiction including a historical romance Moccasin Trace which was nominated for both the prestigious Michael Shaara Award for Excellence in Civil War Fiction and the Writers Notes Book Award. His Cairns of Sainctuarie Science Fiction Series and his Moccasin Hollow Mystery Series have received national and international attention. He is currently working on a series of horror/suspense novels.

Website:

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AMAZON BUY LINKS:


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Amazon CA Hardcover:

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GIVEAWAY:

Hawk MacKinney will be awarding a $15 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner.




Wednesday, June 3, 2026

What Remains After by Pauline J. Grabia - Book Tour - Book Blast - Giveaway - Enter Daily!

This post is part of a virtual book tour organized by Goddess Fish Promotions. Pauline J. Grabia will be awarding a $10 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

SOME STORIES DO NOT END WHEN THE DANGER PASSES.

Beth Clark has not returned to her hometown in decades, since the childhood she survived there nearly destroyed her.

When her estranged mother dies, Beth comes back to rural Alberta for a funeral that feels carefully rewritten. The eulogies are tidy. The past is sanitized. But inside the abandoned bungalow where she and her brother once lived, Beth finds objects that shatter the illusion—and awaken memories of abuse, neglect, and the systems that failed to protect her.

When Beth's younger brother is critically injured in a sudden accident, the present collides with the past. Keeping vigil at his hospital bedside, Beth is drawn back into the summer that changed everything: the violence in their home, the silence of those who should have intervened, and the foster family whose quiet faith offered the first real safety either child had known.

Told across dual timelines, What Remains After is a literary psychological suspense novel about trauma and memory, belief and betrayal, and the long, unfinished work of survival. It asks what it truly means to forgive—and what remains when the truth is finally spoken.

EXCERPT ONE:

Coverville Baptist Church smelled musty and old, like the memories trying to escape the recesses of Beth’s mind. That’s all that remained now of her mother. Like her life, nothing at the church had changed in over forty years. It had simply aged, with splintered oak pews and grubby carpets that had been there when she was growing up.

It was unnaturally quiet in the church, which she remembered used to almost roar after a service with the lively voices of congregants discussing the sermon or what was coming up in their week. Children used to run around, shrieking and squealing in both joy and frustration. Now, it was still. Eerily so.

Beth ignored the stares from the other mourners who had arrived early for the service. When she tried to meet their gazes to say hello, they looked briefly, with pity, before looking away. She stopped looking at people. She had only arrived when she had to so she could find Otto and talk to him before it started. He wasn’t in the lobby. Maybe he was in the sanctuary.

She waited in line at the guest registry, attended to by one of the funeral directors. When it was Beth’s turn, her hand trembled as she picked up the ridiculous feathered pen and hesitated before writing down her name. Should she use her married name or her maiden name? Her ex would have a conniption if she wrote down his, and she was changing her name back anyway, so she entered “Elizabeth Clark.”

When Beth had seen her mother’s obituary on Facebook, she’d realized that, despite her hesitation, she would go to the funeral. The only other attendees were townsfolk—mostly members of Virgie’s church—and family. She suspected that most came out of curiosity rather than grief. Beth’s reasons were less clear. Her hatred for her mother had lessened over the years, but had never completely gone; still, she felt an odd urge, almost a duty, to attend. She told herself it was just an excuse to see her brother, Otto, not the urn.

AUTHOR BIO:
Pauline J. Grabia is a Canadian novelist whose work explores trauma, memory, faith, and the moral consequences of silence. Writing under the Stories of Consequence banner, she is drawn to stories that face difficult truths without spectacle and seek light without sentimentality. What Remains After is a literary psychological suspense novel rooted in rural Alberta and shaped by questions of survival, forgiveness, and what endures.

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Thursday, May 14, 2026

Padlocked by p.m. terrell - Book Tour - Guest Post - Giveaway - Enter Daily!

This post is part of a virtual book tour organized by Goddess Fish Promotions. p.m. terrell will be awarding a $25 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

Padlocked is an epic historical and visionary novel that follows the lives of a group of ordinary people who find themselves in extraordinary, life-altering circumstances as Nazi Germany invades Poland in 1939.

Two foreign photojournalists, an American and a Spaniard, are trapped between armies at Festungsfront Oder-Warthe-Bogen, along Poland’s western border with Germany. It is Hank’s last overseas assignment, and he’s been counting the days until he can go home to North Carolina to be with his family. Rafe fled Spain after the dictator, Francisco Franco, targeted his family. The experience changed him, and he now sees the rise of fascism in Europe as a battle between good and evil. They will find themselves embedded with the Polish, Nazi, and Soviet forces at varying times, forcing them to face moral and ethical decisions in their struggles to survive.

A young woman is separated from her sister in Warsaw as the Nazis encircle it. Agata made a vow that she would return to take Elsa to safety, but soldiers and barbed wire prevent her from entering the newly established Jewish sector. She is consumed with guilt over their separation, and when she discovers her sister was taken by train to a work camp near Krakow, she navigates her dangerous, war-torn country in search of her. Her quest will force her to confront a Hell on Earth to find her.

A young man joins the Jungdeutsche Partei, or the Young German Party. Once bullied as a child, Max’s new affiliations promote him to a position where he can dictate life or death and settle scores. In order to thrive under Nazi occupation, he makes daily choices that legitimize brutality and erode humanitarian principles and scruples.

While they don’t know one another at the start of their journeys, each will make decisions that have the power to transform them and place them on paths that ultimately converge on January 27, 1945, as the 60th Army of the First Ukrainian Front opened the gates to Auschwitz-Birkenau for all the world to witness.

This is ultimately a story about the strength of love, courage, faith, and resilience in the face of unimaginable hatred and obsession with power, and how every decision we make places us further along specific paths.
EXCERPT ONE:

Max was unprepared for the pandemonium as he stepped outside the building. He supposed it made sense as he could hear the voices from his office even if he hadn’t been able to make out the words. Still, it was jarring to see people who would normally walk with controlled purpose now rushing this way and that, as though the sky were falling. It made him hasten his steps, his heartbeat quickening as he joined the throngs. Many stopped along the way to cheer on the passing army vehicles, but he dodged around them, eager to get his book and get back to work. He didn’t want the soldiers to give his office to anyone else in his absence.

“Max! Max!”

At the sound of his name, he almost hid, thinking his ruse was discovered, but he quickly realized the voice was female. His eyes darted around the crowded faces. After a moment, the horde parted, and Stella rushed through to him.

“They’re on our doorstep!” she shouted excitedly. Her face was aglow, and he wanted nothing more than to scoop her into his arms and kiss her.

But, as others glanced their way, he grabbed her hand and led her to a quieter area. “Stop smiling,” he directed, swinging her around to face him.

“Why?” she demanded.

“They are not here yet. Do you want the Polish Army to pick you up?”

“Why would they? I have done nothing wrong.”

“Oh? Now that they are here and we are locked in a battle with them, you and I are collaborators.”

“Huh! That is not true.”

“Isn’t it?”

“It is not. We knew nothing of their plans to invade. We only know that we like their system of government.”

“And you don’t think they are here to change our system of government to their own?”

“Isn’t it exciting?”

“Stop it, I say. Stop it!” Max wiped his forehead. “What are you doing here, anyway?”

“The shop where I worked closed.”

“Closed? Why?”

Stella shrugged. “Excitement. Fear. Maybe a little of both.” She peered at him, her eyes narrowing. “Why are you here and not in the mayor’s office? I would have thought you’d be very busy there.”

“I am very busy.” He pulled at his suit jacket as if straightening it. “I have been promoted.”

“Promoted! To what?”

“I am now a liaison to the military.”

“The Polish military?”

“Do you see another here?” He waved his hand toward the tanks passing by them.

“What are you doing for them?” she breathed, her brow furrowing.

“English translation.”

“You don’t speak English!”

“How do you know that? I do, actually. And I am on a mission, and you are delaying me.”

“Be that way, then.” She pouted briefly before adding, “What will you do when the Nazis arrive in Będzin?”

“How do you know that they will?”

She shrugged. “I am hedging my bets.”

“For right this moment, today, I am a military liaison. That is all I know for now.” He waved as though pushing her away. “Now, go.”

As she started to leave him, he pulled her back into an embrace and kissed her. Startled, he thought she might pull away, but she didn’t. She leaned into him, her tongue flicking inside his mouth and her body pressing against him. She smelled of flowers and musk, and he held her more tightly as he inhaled her essence. Then she abruptly stepped back. “Call on me later,” she said, “when you are no longer working your military liaison shift.”

Then she was gone, as if she had never been there; her petite figure disappeared among the taller men and women crowding the sidewalk. He stared in the direction she’d gone, but when he didn’t spot her among the cluster of people, he turned back in the direction of home.

GUEST POST:



Describe Your Book Cover and How It Came About

Thank you so much for hosting me here today, and thank you for asking about my book cover!

In a world increasingly run by AI, I’m thrilled that my book cover is an actual, unretouched photograph taken by my favorite photographer, Willie Forde, of Ireland. The Northern Lights were particularly spectacular when he came across the Smiling Bess Gate, and he captured the lights beneath the arch and surrounding it.

It was exactly the otherworldly effect I needed for Padlocked. Padlocked is literary fiction blending elements of visionary and historical fiction, and the gate is significant because it represents the entrance to other dimensions. As some of the characters encounter it, it takes on different energy depending on how they lived their lives. The angel who appears beside the gate also varies, from a kind and supportive Celeste to Abaddon, the dark angel you never want to meet.

When each character reaches the gate, they discover their souls unlock the padlock. To pass through, they must revisit decisions they made from the perspective of those they affected. It makes us ponder whether we might make the same choices if we knew we would face our past in the afterlife.

AUTHOR BIO & LINKS:
My full name is Patricia McClelland Terrell, and I have been writing under the pen name p.m.terrell ever since a publisher presented me with my first fiction book cover. The graphic designer had also entered my name in lower-case letters; my editor hated it, and I loved it. It’s been p.m.terrell ever since.

I began writing when I was nine years old, inspired by a schoolteacher and elementary school principal. Scott-Foresman published my first book, a computer instructional for universities, in 1984. Scott-Foresman, Dow-Jones (Richard D. Irwin branch), Palari Publishing, Paralee Press, and Drake Valley Press have published 27 books to date.

Before embarking on a full-time writing career, I founded McClelland Enterprises, Inc., in the Washington, D.C., area in 1984, specializing in workplace computer instruction. I opened another business, Continental Software Development Corporation, in 1994, which focused on custom application development, programming, website design and development, and cybersecurity.

I was honored to be the first female President of the Chesterfield County/Colonial Heights Crime Solvers. Since moving to North Carolina, I served on the boards of the Robeson County Friends of the Library and the Robeson County Arts Council.

I launched The Book ‘Em Foundation with Waynesboro, Virginia, Police Officer Mark Kearney, and assisted in Virginia, New Hampshire, and South Carolina events before establishing the Annual Book ‘Em North Carolina Writers Conference and Book Fair, chairing it for several years before turning it over to Robeson Community College in Lumberton, NC.

Padlocked is available in all eBook formats, trade paperback, hardcover, and large print editions.

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Friday, December 19, 2025

Tamanrasset: Crossroads of the Nomad by Edward Parr - Book Tour - Guest Post - Giveaway - Enter Daily!



Tamanrasset:
Crossroads of the Nomad
by Edward Parr


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GENRE:   Historical Fiction


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BOOK BLURB:


TAMANRASSET is historical fiction set on the edge of the Sahara as the ancient world begins to fade and great empires collide. Four strangers—a mature Foreign Legionnaire, a Sharif’s wrathful son, an ambitious American archaeologist, and an abandoned Swedish widow—become adrift and isolated, but when their paths intersect, the fragile connections between them tell a story of survival and fate on the edge of the abyss. Blending the sweep of classic adventure with the horror of a great historical calamities, Edward Parr’s TAMANRASSET is a saga about the crossroads where nomads meet.

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EXCERPT THREE:


The Basilica of Douïmès was quite a lovely site (and fairly peaceful considering the dozen native workmen who were lazily taking measurements and digging pilot holes at Ren’s direction) yet it was not a place for great discoveries. Ren thought about the Byzantine necropolis behind the basilica which seemed such a promising site; unfortunately, Père Delattre had reserved it for his own excavations. Ren wondered how much it would cost to drain the flooded marsh in the Salammbô district nearby where the Temple of Tanit was rumored to be located. As he walked about and reviewed the work of the diggers, Ren became increasingly irritated. Ordinarily, he thought, the Tunisian diggers preferred to do anything but work–they showed a greater interest than the professors in the minutest fragment of pottery and would stand around listening in awe to an academic discussion of a thing they’d never heard of before. Their picks moved with a balletic slowness of motion intended to keep even the most delicate relic safe from harm. Ren had to remind himself again that he was lucky to have earned this position: He had no surviving family, his father had been no one of importance, he had been raised on money left for him in trust. He was lucky to have ended up in England after being orphaned, lucky to have worked with Petrie in Egypt, and lucky to be in Carthage. Nevertheless, he chafed at Delattre’s pedantry and the slow pace of the work.

© 2025 by Edward Parr and Edwardian Press (New Orleans, Louisiana)

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GUEST POST:


Historical Fiction Writing and Ethics


Historical fiction is a genre that sits at the intersection of art and responsibility. By blending fact with imagination, authors bring the past to life for readers who may rely on fictional accounts as much as history books for their understanding of the past. Of course, we now live in an era when the past is being intentionally misrepresented for political purposes, something which I wholeheartedly reject. So I’d like to review some of what I think are the fundamental ethical rules of writing historical fiction and how they apply to my new novel, Tamanrasset: Crossroads of the Nomad. It’s a historical saga of colonial North Africa which follows French Legionnaires, Moroccan rebels, an American archeologist and a grieving European widow through sieges, desert marches, cultural upheaval, the search for lost treasure in a place where survival and identity are tested against the vast, indifferent Sahara.

The first thing I want to mention is that I’ve tried to make the writing very historically accurate – it’s neither pro-colonialist nor anti-colonialist, neither pro-Muslim nor anti-Muslim. Not everything everyone did was good, nor all bad. Certain terrible things did happen which are depicted in the novel, such as the merciless French bombardment of Casablanca or the Doui-Menia siege of Taghit. History isn’t pretty, but we can’t pretend it didn’t happen, nor do I want to make things seem worse than they actually were.

Second, I’ve attempted to treat real historical persons with respect. Figures like Muhammad al-Kattani or Hubert Lyautey or Sultan Abd al-Aziz are treated with seriousness rather than as caricatures. Al-Kattani, for example, is shown as principled, intelligent, and politically active reformer — not reduced to a foil for the European characters.

Third, representing other cultures respectfully and avoiding stereotypes is very important. I’ve tried to allow Moroccan and Algerian voices to speak in their own idioms. One of the central characters, Ahmad al-Haybah, is not “exoticized” but depicted as a young man caught between love, filial duty and warfare. The descriptions of Muslim life avoid orientalist spectacle or hyperbole by focusing on everyday details: bread, prayer, family connections. By presenting North Africans as complex human beings, I have tried to push back against the old colonial adventure-tale stereotypes.

Fourth, it’s okay to balance authenticity and accessibility, to an extent. Ken Follett isn’t writing about Kingsbridge in medieval English. I use prose with an Edwardian cadence and lexicon, echoing travelogues and memoirs of the era, to help immerse readers in the period, yet I declined to reproduce colonial prejudices uncritically: I’ve tried to strike a balance between period authenticity (e.g., the Legionnaires’ fatalism) and a modern awareness that readers need to see the cruelty and futility of empire-building.

Finally, it’s essential that the author remain totally transparent with readers, especially regarding intentional inaccuracies and the ultimate need to refer back to source materials. By including maps, notes, and an epitaph, I’ve tried to signal that Tamanrasset is both “fiction” and “history-based” without being necessarily perfect in its accuracy. These apparati help readers understand what is factual (battles, geography, cultural practices) and what is dramatized. Such transparency respects the reader by not misleading them into thinking fiction is truth.

I like to look back to periods in the past and see in them something relatable and still relevant to us today. Having a “historical” lens allows the events of the past to be held, to a certain extent, at arm’s length so that we can see them better, a bit more objectively, and as a filter through which we can evaluate our own contemporary experiences.. My new novel, Tamanrasset: Crossroads of the Nomad, was inspired by the classic French Foreign Legion pulp fiction genre which was hugely popular in the 1920’s to 1940’s, and while it’s a genre fraught with cultural biases and prejudices, I’ve tried to reinvent the adventure while leaving those problematic issues in the past. I hope it is a story that will immerse readers in a world of peril, resilience, and discovery.

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AUTHOR BIO & LINKS:



Edward (“Ted”) Parr studied playwriting at New York University in the 1980’s, worked with artists Robert Wilson, Anne Bogart, and the Bread and Puppet Theater, and staged his own plays Off-Off-Broadway, including Trask, Mythographia, Jason and Medea, Rising and an original translation of Oedipus Rex before pursuing a lengthy career in the law and public service. He published his Kingdoms Fall trilogy of World War One espionage adventure novels which were collectively awarded Best First Novel and Best Historical Fiction Novel by Literary Classics in 2016. He has always had a strong interest in expanding narrative forms, and in his novel writing, he explores older genres of fiction (like the pulp fiction French Foreign Legion adventures or early espionage fiction) as inspiration to examine historical periods of transformation. His main writing inspirations are Charles Dickens, George Eliot, Bernard Cornwell, Georges Surdez, and Patrick O’Brien.

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BOOK BUY LINKS:


Amazon US Kindle eBook:

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GIVEAWAY:


Edward will be awarding a $25 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner.






Tuesday, September 16, 2025

Between Two Seasons by Marc Macdonald - Book Tour - Guest Post - Giveaway - Enter Daily!


Between Two Seasons
by Marc Macdonald


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GENRE:   Literary Fiction


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BOOK BLURB:


Haunted by regret and stalled by guilt, Alex Chambers arrives at Silver Springs Health and Rehabilitation Centre searching for redemption. What he finds instead is Mae Seasons—a sharp-tongued, fiercely independent resident with no interest in being anyone’s project.

Alex came hoping to make amends for the mistakes of his youth, especially to the woman he once hurt. But when that hope slips away, he’s drawn into an unexpected role: caregiver and reluctant confidant to Mae, whose irreverence hides a lifetime of buried truths.

As days at Silver Springs unfold in their strange, often absurd rhythm, Alex is forced to confront the tangled grief of his past. Through awkward silences, reluctant confessions, and moments of startling vulnerability, he and Mae forge an unlikely friendship—one stitched together by shared loneliness, reluctant compassion, and the possibility of healing.

At once poignant and quietly humorous, Between Two Seasons is a story about the lives we try to outrun, the people who challenge us to face ourselves, and the surprising ways connection takes root.

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EXCERPT TWO:


Walking back to my room after Mae had been escorted to her doctor’s appointment, Susanne lobbied my attention from near the elevator, requesting a word that, although promised, I knew wouldn’t be quick.

Great, I thought. What fresh hell does she have in store for me now? Was she coming, with her corporate language, to add salt to my very fresh shin wound?

Susanne was dressed in her self-styled uniform. Nearly everything was exactly the same as the day before, but instead of a navy-blue ensemble, it was charcoal grey. Even her hair looked the exact same. If her tone indicated she was operated by levers, her attire confirmed it.

“Mr. Chambers, how are you this fine afternoon?” she asked cheerily. Fake, but cheerily.

“I’m good, Susanne.” Thanks for asking. I guess.

“I heard you had a little mishap with Ms. Seasons this morning. I do hope you will try not to rile her up like that in the future.”

Stunned at where she could have possibly received such misguided information as to the morning’s events, my mouth opened to respond, but no words formed.

“Very well then. I just wanted to check in on you and remind you that our older guests here at Silver Spring can be very sensitive. Many of them have lived a life you and I could never dream of enduring. We need to be mindful of that at all times. I do hope you will remember and conduct yourself accordingly.”

I felt my jaw inching closer to the floor.

“Yes, very good. If you need anything, please let Mr. Abner at the front know. He can assist you with whatever you require. Though, in the future, do try to be a little kinder to him as well. We want to make sure we treat everyone here at Silver Springs, whether staff or resident, with the utmost respect, care, and love.”

Jaw met floor.

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GUEST POST:


Putting Yourself on a Page: What It’s Like to Share Your Most Personal Words with the World


Writing is one thing. Publishing is another.


When you write something personal, it feels private, even when you know you’re shaping it into fiction. You convince yourself it’s just you and the page. You can wrestle with memory, bend the truth a little, exaggerate or cut away—but the heartbeat underneath it is still yours.

Then comes the hard part: letting it go. Sharing your words with the world is a strange mix of pride and dread. Pride because you’ve done the work, pulled something out of yourself and shaped it into a story. Dread because you know people will read it, and some of them might see more of you in it than you’re comfortable admitting.

When I put myself on the page, I’m not just worried about being judged as a writer. I’m worried about being seen. Did I say too much? Not enough? Did I reveal something I didn’t mean to?
But here’s the flip side: this is exactly why it matters. Readers connect most with honesty. Even if they don’t know the details of your life, they can feel when you’re writing from a place that costs you something. That’s where trust is built. That’s where the story becomes more than just words; it becomes an exchange between you and whoever picks up the book.

It doesn’t make the vulnerability easier. Every launch, every new piece out in the world, I feel that twinge of exposure. But it’s also where the reward lives. The messages from readers who say, “This felt like me,” or “I needed this,” make the risk worth it.

Putting yourself on a page is terrifying. But it’s also the most honest way I know to make art.


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AUTHOR BIO & LINKS:



Marc MacDonald is an author who believes every great story starts with a spark—whether it’s a single sentence, an unforgettable character, or an idea that won’t let go. As the writer behind Between Two Seasons, a novel that celebrates the beauty of human connection, Marc weaves heartfelt narratives that linger long after the last page is turned.

When he’s not crafting compelling fiction, Marc applies his storytelling skills as a seasoned communications professional, proving that every message—whether in a book or a press release—deserves to be engaging. He’s also a fierce defender of the Oxford comma, an unapologetic pun enthusiast, and someone who firmly believes that coffee is the most essential writing tool.

Find him deep in his next manuscript, chasing inspiration, or justifying “research” as an excuse to buy more books. Catch up with Marc on his personal website: https://marcmacdonald.ca or @MarcMacWrites on Instagram.

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GIVEAWAY:


Marc will be awarding a $20 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner via Rafflecopter at the end of the tour.




a Rafflecopter giveaway

Wednesday, September 3, 2025

The Goodbyes by Helen Gillespie - Book Tour - Guest Post - Giveaway - Enter Daily!



The Goodbyes
by Helen Gillespie


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GENRE:   Women’s Fiction


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BOOK BLURB:


Struggling with becoming an adult in a small mid-western town, Dianne must confront family secrets, deception, and discovery during her last year of college. As she cares for her ailing mother, her world begins to unravel and she is challenged to navigate through lies, friendships, love...and murder.

Meeting the wrong person makes it possible for her to recognize the right ones and to find the strength she needs to survive. Realizing that she is responsible for her own destiny, she learns that to say hello to a new life, she must first say goodbye.

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EXCERPT ONE:


All living creatures hold secrets for basic survival. Humans keep secrets to preserve their image, hide their misjudgments, or protect those they care about. Only in the safest conditions, absolute trust or vulnerability, can humans feel safe divulging their secrets, laying bare their hidden selves.

Katrina England and her husband did not keep secrets from Dianne or indulge in the usual childhood fantasies of princesses or fairy godmothers with her daughter. Even Santa Claus was introduced from a historical perspective rather than as a magical elf. The Englands were doting parents who disciplined their daughter when necessary and answered her questions honestly, only withholding information that surpassed Dianne’s maturity. Yet, despite this philosophy, Katrina did hold a few secrets, one very close.

As Dianne approached adulthood, Katrina began to share these secrets. By then, Dianne’s father had died, leaving the two women to navigate life together as a family with no other relatives living close by. Katrina often grappled with the lifelong weight of a childhood secret and her secret of late, a terminal cancer diagnosis. Both became weightier as her cancer took hold. When Dianne began dating the MegaMart store manager, Katrina’s concern of her daughter’s future turned to worry.

Dianne, nearing graduation while dealing with her mother’s illness, found herself facing unexpected challenges. When Michael D. Glossen entered her life, her challenges became problems. Oddly, she met “Michael D” when a cream rinse emergency arose.

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GUEST POST:


Five Ways to Engage Readers – It’s All About the Characters


1.)  Develop a variety of characters, but not too many, and not too similar.
2.)  Dialogue needs to fit the characters' personalities and roles/careers.
3.)  All humans hold secrets; therefore, our characters should hold secrets that they gradually reveal.
4.)  Humans are a product of their experiences. My characters reflect this.
5.)  Each character’s dialogue, personality, and actions need to contribute to the storyline.


I was close to the sin of too many characters. In total, 20 individuals had roles that involved more than a third-person mention. At any given time, two characters carried the story, with the others playing a supporting role, much like a chorus line. To help the reader not feel as though they’re attending a large family reunion for the first time, I tried to keep the characters mentioned in scenes related to their roles, such as school, a restaurant, and the church.

Dianne was always center stage. During the story, her mother, then Ken, then Mel, partnered with Dianne to tell the story through their experiences. JR and Betty were next in prominence, with Texaco John making regular appearances. As was his personality, John only appeared when needed and remained somewhat of a mystery.

Hidden inside each character was a unique personality, career, and set of traits. Smooth and easy exchange of unique dialogue further identified the individuals. Each character was believable, complete with accents, assets, talents, and quirks. They all lived with me for a long time, and I wanted to do them justice on my pages so others could see them as clearly as I had for 20 years.

The main character, Dianne, was raised privileged with two parents who cared, yet were not perfect. Still, Dianne cared for society as a whole and individuals less fortunate than herself. Mel, a little “rough around the edges,” wasn’t so lucky, yet she was with JR and Betty stepping in to parent her. Mel’s limited social exchange with other children while growing up formed her into her adult persona. Other characters who shared the spotlight at intervals in the book also were clearly part of their experience and environment.

The storyline was simple. Two young ladies meet. Each desire more from life than what seemed to be their prescribed destiny. Similar to what happens with many lives, the future we plan is not what ends up happening because unplanned events have taken place.

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AUTHOR BIO:


Throughout grammar school and college, Helen Gillespie loved developing story sketches or full stories but kept them hidden within herself. That creative spark proved valuable in unexpected places, first on assignment as a musician in the US Army, and after leaving the Army, when she earned a degree in elementary education. After reentering the Army in 1981, she put pen to paper, or rather, “fingers to an Olivetti.” She officially learned the art of journalism to serve the Army, but it quickly became a personal passion. Interviewing fellow soldiers, exploring their jobs and personalities, and publishing useful information for the military community formed the basis of her skill and enjoyment. Those years of thought, training, education, and experience laid the foundation for crafting her first novel, The Goodbyes.

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GIVEAWAY:


Helen will be awarding a $25 Amazon OR Barnes and Noble Gift Card (Winner's Choice!!!) to a randomly drawn winner via Rafflecopter at the end of the tour.





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