Welcome to FAB Lovelies!

A Lifestyle blog that focuses on all things from fashion to beauty; fitness to weight loss; recipes to coupons; books to movies; travels to entertainment; and everything in between.

Showing posts with label #WillardThompson. Show all posts
Showing posts with label #WillardThompson. Show all posts

Tuesday, May 5, 2020

La Paloma by Willard Thompson - Book Tour - Guest Posts - Giveaway - Enter Daily!


Hello, lovelies!  It gives me great pleasure today to host Willard Thompson and his new book, “La Paloma”!  For other stops on his Goddess Fish Promotions Book Tour, please click on the banner above or any of the images in this post.

Be sure to make it to the end of this post to enter to win a $15 Amazon or Barnes and Noble Gift Card!!  Also, come back daily to interact with Willard and to increase your chances of winning!

Thanks for stopping by!  Wishing you lots of luck in this fabulous giveaway!


La Paloma
by Willard Thompson

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GENRE: Suspense/Adventure/Romance

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BLURB:

When Teresa Diaz's father is arrested in an ICE raid in a Los Angeles area city and deported back to Mexico, her family begins to come apart. She is a student at UCLA on a scholarship for undocumented aliens (Dreamers) looking to have a life in the U.S. in communications. Her brother in High school and her elementary school sister begin having serious troubles without a father in the household.

At work in a fast-food drive-through, Teri, as she wants to be known is approached by a Mexican gangbanger who offers to take you to her father. Doubting the guy wants more than picking her up, she resists, but day by day, as her sister is sent home from school and her brother is brought home dunk by the police, she gives in and goes across the border with him. Against her wishes, he takes her to a beach house in Tijuana and leaves her. She learns that illegal activities are going on in the house but without transportation, and without a birth certificate --either Mexican or American-- she can't cross the border alone.

After several days, virtually a prisoner, the owner of the house, a fat woman known as Mama Gorda arranges to get her across the border with a young Mexican man who rides a fast motorcycle. On the way, he takes her to lunch and there offers to talk her deeper into Mexico to find her father. She agrees, travels in his private plane and begins a romance while searching for her father in Michoacan state. The more she becomes involved, the more she is involved in activities she doesn't understand but suspects they're illegal.

Returning to Monte Vista, her LA area home, still without her father, she finds she can no longer return to UCLA, seeks a job, connects with a Latina who bullied her he school. When her brother is arrested for jobbery, Teri returns to Mexico seeking help from the people she suspects to belong to a cartel.

Ultimately, she is sponsored by the people in Mexico to participate in the Miss Mexico contest, not realizing it is the Cartel that is promoting her. In the end, she will face a life-changing decision whether to continue her romance with the son of the cartel's head or try to stand on her own. And whether to remain in Mexico or return to LA.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

EXCERPT THREE:

Javier looks over at me from the pilot’s seat. He must have noticed my clenched hands, or my pallor or the way I sit slumped down in the seat. “First flight in a small plane?” he asks.

“First flight, period.”

He laughs. “An American girl like you has never flown?”

I think I hear a hint of sarcasm in his voice when he says, “American girl.”

I am an American girl, but not a privileged one. Mama wasn’t anxious to go any place that might require IDs. There was no extra money for vacations to places that required a plane ticket. At first, our family spent all our holidays with Rogelio and Lupe, but after Antonio died, mama and Lupe drifted apart.

“There’s only one place I’d want to go,” papa always answered when the question of travel came up, “back to Michoacán where mama and I grew up. I’d like to show you the beautiful land we came from.” At that, he always paused, getting a kind of sad-eyed look. “But we can’t go there, my little dove. So, we’ll go to Disneyland or Magic Mountain instead.”

To Javier, I’m an American girl, To Ryan, I’m a Latina. Mama Gorda said I was neither. She said I was lost. Who’s right? Who am I? I feel lost in this airplane. I sit up straighter in the cushy leather seat next to Javier.

“I am American,” I tell him. “I guess I’m a pretty naïve one though, jumping into a small plane with a man I hardly know. You think I’m a fool, don’t you? Or something worse.”

“Not a fool, Teresa — please let me call you that — but perhaps too trusting. That could get you in trouble in Mexico. Here it is better to trust no one.”

“Not even you?” I tease.

“Not even me.”

I hadn’t expected that. “Tell me why?”

“Please call me Javier.” His smile is warm and genuine, but he keeps his eyes straight ahead and his hands on the controls.

I wait for more.

Reluctantly, in little bits and pieces, as the plane flies on, he tells me about himself. He says his family is in the export and distribution business. They’ve done well, and he is benefiting from it. A little embarrassed, he says he hasn’t done much to contribute to the family business since graduating from Stanford.

“So why were you at Mama Gorda’s?” The question has bothered me from the start.

His eyes scan the horizon. It’s several seconds before he answers. “We each have our embarrassments,” he starts. “Sometimes it’s good not to ask too many questions. I won’t ask you about what you were doing at Carmen’s house, and I hope you’ll do the same for me. Suffice it to say my family’s company does some distribution work for her. Most of her business is over the Internet, of course, but we deliver some DVDs to L.A.”

“Smuggling, you mean?”

“As I said, some questions should not be asked or answered.”

We fly on in silence and land in Culiacán to refuel. Javier leads me into the tiny airport restaurant where we eat a quick lunch in silence. Questions ricochet in my head like the bullets that killed Antonio. What kind of danger am I in? Am I in danger with Javier? Who are all these people? Ever since I agreed to cross the border with Knobhead, it feels as if one bad decision after another is plaguing me. My life is out of control.

Sitting at a table in the small airport lounge, Javier breaks the silence as I sip an iced tea. “Look, I’m sorry if I shock you. I thought it was better to be honest with you from the start. You don’t understand life in Mexico so let me try to explain—”

“Explain? What’s to explain? You all but said you are a smuggler, Javier. what’s to explain?”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GUEST POSTS:

World-building can be the most important element of your book.  What media outlets, role-models and real-life inspirations did you draw from while writing this book?

La Paloma is a novel inspired by newspaper headlines. Several stories in the press came together in my head over time to form this story. First, and always for me, the character is primary. To begin with, Teresa Diaz, my primary character, is the recipient of an AB540 scholarship given to an undocumented alien by UCLA. Then she grew into the story of a DREAMer being deported from the U.S. and the uproar over their futures. Then came the border walls built to stop migrants coming across. (we used to call them fences now they’re walls.) Finally, the press was filled with stories about Mexican cartels.

My novel is not a gritty crime story, it’s a coming of age novel about a young undocumented Latina college student searching for her place in the world. Is it Mexico, the land of her birth and heritage? Or is it California, the land of opportunity she has been told to aspire to? Teri Diaz, the primary character, falls down a rabbit hole when her undocumented father is deported to Mexico and she must go in search of him to save her family. Her world and everything she thinks she knows is turned upside down. The story unfolds from there.

Falling in Love with the Main Characters:

I write about strong female characters. All my novels, Dream Helper, Delfina’s Gold, Their Golden Dreams and The Girl from the Lighthouse highlight females who are strong, self-reliant women. Virtually all my reviews stress the believability of my female characters. That doesn’t mean I have a formula, or even know how this happens. But I believe it comes from the organic way I write. That is, I do not plot stories; I let them evolve. Plotting, or deciding ahead what will happen in the story, only creates wooden, improbable stories with wooden improbable characters. Throughout the writing of La Paloma and my other novels, I tend to have an ongoing dialog with my primary characters. On more occasions that I care to mention, I’ve had characters tell me that what I have written for them will not work, that they would not do what I have written for them to do. And yes, they tell me how to correct my errors. When the writing is going well, my character, female or male, and I are in sync, and each character is different from all the others; they all have unique personalities; unique strengths and weaknesses. To be sure they have weaknesses, in fact, that’s often what makes them so real to my readers.

Five Reasons You Should Read My Book:

1.)  La Paloma is partly set in Mexico, a country with a bad reputation right now, but a beautiful, welcoming place, too, with an exciting history that may surprise readers.

2.)  Teresa Diaz is a beautiful Latina who is very committed to her family and knows she must step up when her father is deported.

3.)  La Paloma is not a crime story; it is a suspense/adventure about a young woman searching for her place in the world.

4.)  In one way or another, the questions Teresa faces in La Paloma are questions we all must answer as we become adults.

5.)  La Paloma is an exciting story that keeps the reader turning pages to find out what will happen to Teresa next.

6.)  The introduction to La Paloma is by Ocativo Paz: “To live is to be separated from what we were in order to approach what we are going to be in the mysterious future.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

AUTHOR BIO:


La Paloma is Willard Thompson new suspense/adventure/romance novel inspired by current headlines. It’s set in present day Los Angeles, California, and various cities in Mexico.

The Girl from the Lighthouse published last year is Thompson's Award-winning historical romance set in California and Paris, France in the 1870s.

He is the gold medal-winning author of Dream Helper, the first in The Chronicles of California series of three historical novels set in the early days of the Golden State. He and his wife live in Santa Barbara, California.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

CONNECT WITH WILLARD:

Website:

Blog:

Facebook:

Twitter:

BookBub Author Page:

Goodreads Author Page:

Goodreads Book Page:

Amazon Author Page:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BOOK BUY LINKS:

Amazon Kindle eBook:

Amazon Paperback:

Barnes and Noble Paperback:

The Book Depository Paperback:

BAM! Books-A-Million Paperback:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GIVEAWAY INFO:

Willard will be awarding a $15 Amazon or B/N GC to a randomly drawn winner via Rafflecopter during the tour.



**This post contains affiliate links and if clicked and a purchase is made, I may receive a small commission to help support this blog.  This does not cost you anything, it just helps pay for all those awesome giveaways on here.**

This contest is sponsored by a third party. Fabulous and Brunette is a registered host of Goddess Fish Promotions.  Prizes are given away by the sponsors and not Fabulous and Brunette. The featured author and Goddess Fish Promotions are solely responsible for the giveaway prize.

Friday, March 29, 2019

The Girl from the Lighthouse by Willard Thompson - Book Tour - Guest Post - Giveaway - Enter Daily!


Hi lovelies!  It gives me great pleasure today to host Willard Thompson and his new book, “The Girl from the Lighthouse”!  For other stops on his Goddess Fish Promotions Book Tour, please click on the banner above or any of the images in this post.

Be sure to make it to the end of this post to enter to win a $25 Amazon or Barnes and Noble Gift Card!!  Also, come back daily to interact with Willard and to increase your chances of winning!

Thanks for stopping by!  Wishing you lots of luck in this fabulous giveaway!


The Girl from the Lighthouse
by Willard Thompson

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GENRE: Historical Literary Romance

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BLURB:

The Girl From the Lighthouse tells the compelling story of Emma Dobbins.

Abandoned by her mother at an early age, she was raised by her father, a lighthouse keeper at Point Conception in California, where early on she discovers her artistic talent.  At the age of 17, Emma travels to Paris with a chaperone, to attend art school but is separated from the chaperone when the woman becomes ill. Emma arrives alone in Paris with no money, no language skills, and no friends. A chance meeting with a young working girl in the train station becomes her first Parisian friend.

The setting is Paris in the 1860s-70s, the start of the Belle Èpoque. France soon is involved in the Franco/Prussian War and the Commune Uprising; difficult times for Emma and all Frenchmen. Initially rejected by art schools, her determination keeps her moving toward her goal in the art world, where the Impressionists are starting to change the world. Frenchmen fall in love with her beautiful face and lustrous dark hair. Some wanted to paint her, others to court her, but either way, she does not abide by the rules they try to impose on her because she never learned them. She grows into an accomplished artist but never gives up her own principles... even when someone steals something precious to her and she fights to get it back.

The story is told in the first person, present tense, allowing the reader to enter the story and feel a part of it as it unfolds, sharing with Emma her highs and lows, loves and rejections, all focused in the art world of Paris.  The novel is filled with vivid characters, both fictional and real people, and the story unfolds gracefully from the 1870s until 1912, just prior to the start of WWI.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

EXCERPT THREE:

The next morning, I go to the orchard with my easel and a canvas to capture the early light and the dew on the leaves of the apple trees. I set up the easel midway between two rows and concentrate on getting the perspective just right, as the trees appear to merge in the distance. It is delicate, tedious work, but the charcoal pencil I sketch with comes alive in my fingers, eagerly welcoming the challenge. In my mind's eye, I see myself in solitude on the bluff looking out at the headlands of the rugged California coastline merging into the mist.

"That is a very brilliant thing you have done to capture the complexity of the apple orchard fading into the distance," the voice over my shoulder says around mid-day.

When I look up, I see Lamar scrutinizing my morning's work. "The flowers are so delicate," I tell him, "So hard to get right. Tomorrow my challenge will be to reproduce in oil what I've sketched." I pause then ask, "How has your morning been, mon cher?" I wait for his reaction.

"Well enough, I suppose. I've read my mail and a couple of newspapers that came with it. What do you say we drive into the village for lunch? I'm ready."

"Can you wait just a few more minutes?"

"Ah, but Emma, I am hungry now."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GUEST POST:

My Favorite Scene in the Book

Emma Dobbin is a young American girl studying art in Paris, France in 1870, and trying to find her way in the Victorian era society. She regularly goes to the Lourve Museum to study and copy the masterpieces there and is befriended by Impressionist artist Berthe Morisot. They go to lunch together. Here are the scene and the picture Emma is studying:

Sitting on a bench in the Louvre Museum a month later, hunched over my sketching pad, I’m focusing on the masterpiece in front of me, oblivious to people walking up and down the marble-walled Grand Gallery. A Jacque-Louis David portrait of a reclining woman is in front of me, so elegant in its simplicity, yet so beguiling and mysterious, I can only stare at her, trying to imagine the thoughts going through her mind. I can’t help wonder if Madame Récamier had any of the same feelings I do while she was being painted.
I set pencil and pad down, after adding a final few strokes and turn to a friend who has just come by. “Ah, Bonjour, Mademoiselle Morisot. Pardonne-moi. I was lost and didn’t notice your approach.”
Bonjour Emma. I would be pleased to have you call me Berthe. I saw you and wanted to ask if you would join me for lunch.”
“Yes,” I tell her. “Yes, I would like that. I have done enough for today. Some days—like today—the work seems hard, and I get distracted. I haven’t seen you for some time, Berthe. It will be pleasant to catch up.”
Oui I have been with my family. If you are finished...”
Together we leave the museum, cross rue de Rivoli, and walk along the stone-canopied sidewalk to a café on the corner of rue Royale, across from the Place de la Concorde. We take an outdoor table. Berthe orders a meat and cheese plate, with a glass of wine, and a mushroom omelet for me.
“How is your work progressing?” She asks as we settle in.
“It’s been several months, and I still copy with pad and pencil, sometimes I try watercolors—I think I have learned a great deal, but I’m still not ready to try oils.”
“You should,” she encourages me. “David is a good artist for you to copy. His portraits are beautifully executed, especially the one of Madame Recamier you are working on. Portraits like that are the kind of commissions you are likely to get when you are ready.”
“How so?”
        “There is always demand for portraits of wives and children, and other women that are best done by women artists. You should also study some of Vigee Le Brun’s portraits.”
I study the wine in my glass, using the pause to consider Berthe’s recommendation. “I hope to paint landscapes one day,” I tell her.
“Difficult for a woman,” she replies. “Traveling alone to paint a landscape is often...” She pauses, “how do I say, looked down upon. There are not many buyers for the work of a woman landscape artist.”
“I want to be free to paint whatever I want.”
Berthe cuts a slice of cheese from the wedge on her plate and adds it to a piece of baguette before taking a sip from her glass. She looks at me with her doleful dark eyes the whole time. “That can be difficult,” she says at last. “Consider your decision carefully. It is easier for us to paint in a boudoir than side-by-side in a world with men.” She pauses again and picks at a piece of ham.
Feeling frustrated, and looking for a response that won’t offend my friend, I stab my fork at a mushroom. “It seems to me women in Paris have only limited freedom. Do you find it that way, Berthe?”
“I have never thought much about it, but yes, I do. It’s just the way life is for women. Both of my older sisters are married. I think they have more freedom than I do, but they still obey their husbands.” Setting her glass down, she adds quietly, “I hope to marry one day. Do you? But for now, marriage can wait.”
“I don’t know. I find some men quite charming, but others seem brutish and demanding. I want my freedom.” As I set my fork down, thinking about Leo and Frederic, my gaze wanders off to the Place de la Concorde, where there is a bustle of activity. “What is going on there, Berthe?”
“Tents. For the National Guard. Did you know the Emperor has declared war on Prussia?”
I’m stunned. “No, I did not. You say the National Guard has been called up?” I strain to see the activity across the boulevard.
“Louis Napoleon has mobilized the army and the National Guard. The Guard is camping over there for now. My father says they will all march off to the Rhine in the next day or two.”
“All of them?”
Oui. My father says Louis Napoleon has made a big mistake starting a war.”
“I have a friend in the Guard. Perhaps he is over there. Will you walk with me to look for him?”
“Oh no, Emma! It would not be proper for two young women to go walking alone among all those men.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

AUTHOR BIO:


Willard Thompson is an award-winning historical fiction and romance writer living in Montecito, California with his wife Jo. His newest historical romance, THE GIRL FROM THE LIGHTHOUSE was published in early 2019. His previously published three novels of historical fiction DREAM HELPER DELFINA'S GOLD, and THEIR GOLDEN DREAMS are part of his CHRONICLES OF CALIFORNIA trilogy. The Independent Publishers 2009 Book Awards selected DREAM HELPER for a gold medal as the best fiction in the Western/Pacific Region.

Thompson is a past president of the board of directors of the Santa Barbara Maritime Museum. He is a native of Manhasset, New York and a graduate of Colgate University in Hamilton, New York.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

CONNECT WITH WILLARD:

Website:

Blog:
  
Twitter:

BookBub Author Page:

BookBub Book Page:

Goodreads Author Page:

Goodreads Book Page:

Amazon Author Page:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BOOK BUY LINKS:

Amazon Kindle:

Amazon Paperback:

Barnes and Noble NOOK eBook:

Barnes and Noble Paperback:

Kobo eBook:

The Book Depository Paperback:

BAM! Books-A-Million Paperback:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

GIVEAWAY INFO:

Willard will be awarding a $25 Amazon or B/N GC to a randomly drawn winner via Rafflecopter during the tour.


**This post contains affiliate links and if clicked and a purchase is made, I may receive a small commission to help support this blog.  This does not cost you anything, it just helps pay for all those awesome giveaways on here.**

This contest is sponsored by a third party. Fabulous and Brunette is a registered host of Goddess Fish Promotions.  Prizes are given away by the sponsors and not Fabulous and Brunette. The featured author and Goddess Fish Promotions are solely responsible for the giveaway prize.